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iRubric: Stage Combat rubric

iRubric: Stage Combat rubric

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Stage Combat 
Rubric Code: Z7558C
Ready to use
Public Rubric
Subject: Arts and Design  
Type: Presentation  
Grade Levels: 9-12

Powered by iRubric Stage Combat - Slap/Punch
  10-9

(N/A)

8-7

(N/A)

6-5

(N/A)

4-3

(N/A)

2-1

(N/A)

Script

Criterion A-
Knowledge and Understanding

10-9
8-7

Clearly communicates a critical understanding of stage combat in their work and the work of others.
-Student consistently shows support and has an exacting plan. Encourages peers in a positive way.
6-5

Usually communicates an informed opinion of stage combat in their work and the work of others.
-Student often shows support and encourages peers/peer in a positive way.
Plan was ordered but not fully descriptive.
4-3

Sometimes communicates a informed opinion of stage combat in their work and the work of others.
-Student sometimes shows support and encourages peers/peer in a positive way.
Plan was ordered or descriptive but not both.
2-1

Rarely communicates an informed opinion of stage combat in their work and the work of others.
- Student rarely shows support and rarely encourages peers/peer in a positive way.
No plan.
Safety (Spacing, Distance, EyeCon.)

Criterion B-
Application
(x3)

10-9

Excellent spacing, well planned and maintained for successful execution of the steps. No errors in following the golden distance rule.
8-7

Very clear spacing and creatively planned out. 2 or fewer errors in obeying the golden distance rule.
6-5

Good spacing, well planned.
Distance and golden rule broken half the time.
4-3

Spacing planned, but not maintained properly for execution of the steps.
Distance and safety a concern most of the time.
2-1

No set spacing, actors missed execution of the steps.
Distance ignored and safety disregarded.
Physical Execution (angle & timing

Criterion B-
Application
(X2)

10-9

Perfect timing. Actors execute the steps in a sophisticated way.
Optimal angles utilized always.
Wonderful delivery and receiving overall.
8-7

Excellent timing. Actors executed the steps in a believable way.
Optimal and secondary angles of blows/strikes utilized.
Very good delivery and and receiving overall.
6-5

Good use of timing, well executed, yet room for improvement to create a believable scene.
Optimal and Secondary angles attempted most of the time.
Decent delivery and receiving overall.
4-3

Some timing, but off enough to make the scene unconvincing.
Proper angles largely ignored most of the time.
Weak deliveries and receptions.
2-1

Timing is off, making the execution of the steps unconvincing.
Complete disregard for angles.
Deliveries and receptions humorous in their poor execution.
Characterization

Criterion B-
Application

10-9

Sophisticated used of mind, body and voice for characterization. Characters are developed creatively and very original.
8-7

Excellent use of mind, body and voice for characterization. Character is believable and unique.
6-5

Good use of mind, body and voice for characterization. Character is believable, but some polishing needed.
4-3

Some use of mind, body and voice for characterization. Character is somewhat believable, but development needed.
2-1

No use of characterization. No use of mind, body and voice. No creation of believable human characters.
Improvisation (Plot)

Criterion B-
Application

10-9

Sophisticated use of the stages of drama. Creative expositions, rising action, climax and denouement.
Scene was extremely clear and easy to follow, held the audience captive.
8-7

Excellent use of the stages of drama. Great exposition, rising action, climax and denouement. Scene was clear and easy to follow, held audience captive.
6-5

Good use of plot. Most of the stages of drama (plot) are used: exposition, rising action, climax and denouement.
4-3

Some plot. Exposition, rising action (conflict), climax or denouement is underdeveloped.
2-1

No plot with exposition, rising action, climax or denouement.
Mood

Artistic Awareness and Personal ENgagement

10-9

Mood is distinct and strongly created.
8-7

Mood is noticeable and impacting.
6-5

Mood is underdeveloped and audience must work as hard as actors to believe mood.
4-3

Mood is inconsistent and confusing.
2-1

Mood detracts or is contrived and does not allow for audience to willingly suspend their disbelief.
Environment & Setting

Criterion D:
Artistic Awareness and Personal Engagement

10-9

Completely appropriate, believable, and clear. The audience does not even have to think about setting - apparent and with ease.
8-7

Stage enhances scene fully but is not in perfect visual unison (detracts and attracts). The audience knows and easily accepts where the actors are.
6-5

Audience needs to contribute mentally, more than necessary or more than planned. The audience has a pretty good idea where the actors are.
4-3

Setting is incomplete for the scene and as a result leaves much to the imagination when not intended to do so. The audience thinks they know where the actors are.
2-1

Setting is near non existent and not established. The audience does not know where the actors are.










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