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iRubric: VFX Compostiting Rubric

iRubric: VFX Compostiting Rubric

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VFX Compostiting Rubric 
Use this rubric for an overview of compositing requirements.
Rubric Code: W9CWAA
Ready to use
Public Rubric
Subject: Vocational  
Type: Project  
Grade Levels: 9-12

Powered by iRubric VFX Compositing Rubric
  Advanced

4 pts

Proficient

3 pts

Average

2 pts

Below Average

1 pts

Rough Edit (FCP)

Advanced

A complete rough cut of your footage is created in Final Cut Pro that shows the rough timing of ALL video that is to be composited together layered on top of each other in separate video tracks. Shots are "sent to" Motion for compositing from the FCP timeline.
Proficient

A complete rough cut of your footage is created in Final Cut Pro that shows the rough timing of MOST video that is to be composited together layered on top of each other in separate video tracks. Most shots are "sent to" Motion for compositing from the FCP timeline.
Average

A partial rough cut of your footage is created in Final Cut Pro that shows the rough timing of some video that is to be composited together not necessarily layered on top of each other in separate video tracks. Some shots are "sent to" Motion for compositing from the FCP timeline.
Below Average

An incomplete rough cut of your footage is created in Final Cut Pro that shows the rough timing of some video that is to be composited together. Video is not layered on top of each other in separate video tracks. Shots are not "sent to" Motion for compositing from the FCP timeline.
Masking (Motion)

Advanced

All green screen shots have been masked to remove unused or unnecessary pixels/information from the shot.
Proficient

3/4 of the green screen shots have been masked to remove unused or unnecessary pixels/information from the shot.
Average

1/2 of the green screen shots have been masked to remove unused or unnecessary pixels/information from the shot.
Below Average

Less than 1/2 of the green screen shots have been masked to remove unused or unnecessary pixels/information from the shot.
Color Key (Motion)

Advanced

All green screen shots have been color keyed (Primatte RT in Motion) to remove the green background from the shot.
Proficient

3/4 of the green screen shots have been color keyed (Primatte RT in Motion) to remove the green background from the shot.
Average

1/2 of the green screen shots have been color keyed (Primatte RT in Motion) to remove the green background from the shot.
Below Average

Less than 1/2 of the green screen shots have been color keyed (Primatte RT in Motion) to remove the green background from the shot.
Organization (Motion)

Advanced

Motion projects are well organized using groups and specific names for ALL layers. ALL layers are in the correct groups.
Proficient

Motion projects are MOSTLY organized using groups and specific names for MOST layers. MOST layers are in the correct groups.
Average

Motion projects are SOMEWHAT organized using groups and specific names for A FEW layers. A FEW layers are in the correct groups but many are not.
Below Average

Motion projects are NOT organized using groups and specific names for layers. VERY FEW layers are in the correct groups.
Composite (Motion)

Advanced

MOST composited shots appear be one cohesive shot. MOST shots do not appear "layered." Colors of different layers are matched. Masks and distortion are used to integrate layers.
Proficient

SOME composited shots appear be one cohesive shot. SOME shots appear "layered." Colors of different layers are somewhat matched. Masks and distortion are used in places to integrate layers.
Average

A FEW composited shots appear be one cohesive shot. MOST shots appear "layered." Colors of different layers are not matched. Masks and distortion are not used to integrate layers.
Below Average

Composited shots do not appear be one cohesive shot and look "layered." Colors of different layers are not matched. Masks and distortion are not used to integrate layers.



Keywords:
  • JHHS, Media Arts, Shuptrine, Visual Effects

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