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iRubric: Chorale writing rubric

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Chorale writing Music Composition Theory 1 Final exam utilizing Finale. Rubric Code: U4CBX3 By mllama4 Ready to use Public Rubric Subject: Music Type: Project Grade Levels: 9-12

Chorale Writing
	Exceeds 4 pts	Meets 3 pts	Partially Meets 2 pts	Does not meet 1 pts
analysis	Exceeds The roman numeral analysis is perfect (28/28)	Meets The roman numeral analysis is well done with one or two minor mistakes. (26/28)	Partially Meets The roman numeral analysis has 3 or more errors. (22/28)	Does not meet The roman numeral analysis is incomplete or consistently incorrect throughout. (16/28)
part writing rules	Exceeds No voice crossings, octave distances or parallels (5ths or octaves). (23/23)	Meets 1 or 2 total mistakes in voice crossings, octave distances or parallels (5ths or octaves). (21/23)	Partially Meets 3 or 4 total mistakes in voice crossings, octave distances or parallels (5ths or octaves). (18/23)	Does not meet 5 or more total mistakes in voice crossings, octave distances or parallels (5ths or octaves). (14/23)
non-chord tones	Exceeds 5 or more types of non-chord tone types are utilized and correctly identified. (20/20)	Meets 4 types of non-chord tone types are utilized and correctly identified. (18/20)	Partially Meets 2 or 3 different non-chord tone types are utilized AND correctly identified. (15/20)	Does not meet 1 or no non-chord tone types are utilized and correctly identified. (12/20)
rigor	Exceeds The Chorale 7 or more measures in length (8th notes, quarter notes). (15/15)	Meets The Chorale is 5 or 6 measures in length (8th notes, quarter notes). (13/15)	Partially Meets The Chorale is 4 measures in length (8th notes, quarter notes). (11/15)	Does not meet The Chorale has 3 or fewer measures in length (8th notes, quarter notes). (9/15)
creativity	Exceeds The composition utilizes mostly 7th chords, altered tonalities (secondary dominants) and inversions. (14/14)	Meets The composition utilizes many 7th chords, altered tonalities and inversions every other measure. (12/14)	Partially Meets The composition utilizes few 7th chords, altered tonalities and/or inversions. (10/14)	Does not meet There is only one or two inversions or 7th chords. (8/14)