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iRubric: MUSIC PERFORMANCE rubric

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MUSIC PERFORMANCE MUSIC PERFORMANCE RATE YOUR ACHIEVEMENT LEVEL OF THE FOLLOWING MUSICAL CONCEPTS Rubric Code: K24478 By inzerillo Ready to use Public Rubric Subject: Music Type: (Other) Grade Levels: (none)

MUSIC PERFORMANCE Evaluate your overall level of performance achievement.
	Poor Concept(s) is/are ALMOST NEVER achieved. 55 pts	Fair Concept(s) is/are SELDOM achieved. 65 pts	Good Concept(s) is/are USUALLY achieved 85 pts	EXCELLENT Concept(s) is/are ALMOST ALWAYS achieved. 95 pts	SUPERIOR Concept(s) is/are ALWAYS achieved 100 pts
TONE QUALITY & INTONATION Centers of Tone & Pitch Breath Support & Control Balance and Blend Consistency of Timbre & Sonority Dynamic Range	Poor Proper tonal center and intonation are ALMOST NEVER achieved. Proper Breath support and control are ALMOST NEVER evident. ENSEMBLE balance and blend are ALMOST NEVER achieved. Timber and Sonority are ALMOST NEVER consistenly maintained throughout the ensemble. Command of a full range of dynamics expression is ALMOST NEVER displayed. There is ALMOST NEVER evidence of proper percussion timbre/tuning throughout the perofrmance.	Fair Proper tonal center and intonation are SELDOM achieved. Proper Breath support and control are SELDOM. ENSEMBLE balance and blend are SELDOM achieved. Timber and Sonority are SELDOM consistenly maintained throughout the ensemble. Command of a full range of dynamics expression is SELDOM displayed. There is SELDOM evidence of proper percussion timbre/tuning throughout the perofrmance.	Good Proper tonal center and intonation are USUALLY achieved. Proper Breath support and control are USUALLY. ENSEMBLE balance and blend are USUALLY achieved. Timber and Sonority are USUALLY consistenly maintained throughout the ensemble. Command of a full range of dynamics expression is USUALLY displayed. There is USUALLY evidence of proper percussion timbre/tuning throughout the perofrmance.	EXCELLENT Proper tonal center and intonation are ALMOST ALWAYS achieved. Proper Breath support and control are ALMOST ALWAYS . ENSEMBLE balance and blend are ALMOST ALWAYS achieved. Timber and Sonority are ALMOST ALWAYS consistenly maintained throughout the ensemble. Command of a full range of dynamics expression is ALMOST ALWAYS displayed. There is ALMOST ALWAYS evidence of proper percussion timbre/tuning throughout the perofrmance.	SUPERIOR Proper tonal center and intonation are ALWAYS achieved. Proper Breath support and control are ALWAYS . ENSEMBLE balance and blend are ALWAYS achieved. Timber and Sonority are ALWAYS consistenly maintained throughout the ensemble. Command of a full range of dynamics expression is ALWAYS displayed. There is ALWAYS evidence of proper percussion timbre/tuning throughout the perofrmance.
ACCURACY & DEFINITION Ensemble Cohesiveness Tempo, Pulse Control Simultaneous Responsibility Phrasing Rhythmic Interpretation Style/Idomatic Interpretation	Poor Ensemble Cohesiveness ALMOST NEVER achieved. Tempo & Pulse control is ALMOST NEVER achieved. Construction is such that demand is ALMOST NEVER placed on the performers. When silultaneols movement and playing responsibilites are present, the performers ALMOST MEVER achieve a high level of performance. Performers ALMOST NEVER display and understanding of musical phrasing Ryhthmic interpretation is ALMOST NEVER exemplary.	Fair Ensemble Cohesiveness SELDOM exists. Tempo & Pulse control is SELDOM achieved. Construction is such that demand is SELDOM placed on the performers. When simultaneous movenet and playing responsibilites are present, performers SELDOM achieve a high level of performance. Performers SELDOM display an understanding of musical phrasing. Rhythmic Interpretation is SELDOM exemplary. An excellent sense of style/idomatic interpretation is SELDOM conveyed.	Good Ensemble Cohesiveness USUALLY exists. Tempo & Pulse control is USUALLY achieved. Construction is such that demand is USUALLY placed on the performers. When simultaneous movement and playing responsibilites are present, performers USUALLY achieve a high level of performance. Performers USUALLY display an understanding of musical phrasing. Rhythmic Interpretation is USUALLY exemplary. An excellent sense of style/idomatic interpretation is USUALLY conveyed.	EXCELLENT Ensemble Cohesiveness ALMOST ALWAYS exists. Tempo & Pulse control is ALMOST ALWAYS achieved. Construction is such that demand is ALMOST ALWAYS placed on the performers. When simultaneous movement and playing responsibilites are present, performers ALMOST ALWAYS achieve a high level of performance. Performers ALMOST ALWAYS display an understanding of musical phrasing. Rhythmic Interpretation is ALMOST ALWAYS exemplary.	SUPERIOR Ensemble Cohesiveness ALWAYS exists. Tempo & Pulse control is ALWAYS achieved. Construction is such that demand is ALWAYS placed on the performers. When simultaneous movement and playing responsibilites are present, performers ALWAYS achieve a high level of performance. Performers ALWAYS display an understanding of musical phrasing. Rhythmic Interpretation is ALWAYS exemplary. An excellent sense of style/idomatic interpretation is ALWAYS conveyed.
ACCURACY & DEFINITION CONTINUED	Poor An excellent sense of style/idomatioc interpretation in ALMOST NEVER conveyed. KEY WORDS ALMOST NEVER RARELY INCONSISTANT WELL BELOW AVERAGE/POOR	Fair KEYWORDS SELDOM FREQUENT LAPSES USUALLY BELOW AVERAGE/FAIR	Good KEYWORDS SELDOM FREQUENT LAPSES USUALLY BELOW AVERAGE/FAIR	EXCELLENT An excellent sense of style/idomatic interpretation is ALMOST ALWAYS conveyed. KEYWORDS ALMOST ALWAYS FEW BREAKS QUICK RECOVERY ABOVE AVERAGE/EXCELLENT	SUPERIOR KEYWORDS ALWAYS UNIFORM CONSISTANT SUPERIOR/ADVANCED
Enter Title	Poor	Fair	Good	EXCELLENT	SUPERIOR

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