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iRubric: Copy of DAILY PERFORMANCE EVALUATIO rubric

iRubric: Copy of DAILY PERFORMANCE EVALUATIO rubric

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Copy of DAILY PERFORMANCE EVALUATIO 
Use the criteria below to rate your daily contributions to rehearsals or stage crew assignments
Rubric Code: EB46A
Ready to use
Public Rubric
Subject: Dance  
Type: Assignment  
Grade Levels: (none)

Powered by iRubric Daily Performance Evaluation
  A-Range

4 pts

B-Range

3 pts

C-Range

2 pts

D-Range

1 pts

Interpretation

A-Range

Always believable with an emotional commitment to character and style of dance.
B-Range

Usually believeable with an emotional commitment to character and style of dance.
C-Range

Sometimes believable with an emotional commitment to character and style of dance.
D-Range

Rarely believable with no emotional commitment to character and style of dance.
Physical Characterization

A-Range

Movements and physical presences of character or style always remain constant throughout the dance.
B-Range

Movements and physical presences of character or style usually remain constant throughout the dance.
C-Range

Movements and physical presences of character or style sometimes remain constant throughout the dance.
D-Range

Movements and physical presences of character or style rarely remain constant throughout the dance.
Technique

A-Range

Technique is always clear and precise using established physicality that fits the character or style (ie: facial expression, body alignment and posture, arm positioning, etc.).
B-Range

Technique is usually clear and precise using established physicality that fits the character or style (ie: facial expression, body alignment and posture, arm positioning, etc.)..
C-Range

Technique is sometimes clear and precise using established physicality that fits the character or style (ie: facial expression, body alignment and posture, arm positioning, etc.).
D-Range

Technique is rarely clear or precise using established physicality that fits the character or style (ie: facial expression, body alignment and posture, arm positioning, etc.).
Focus

A-Range

Always remains in character or in the dance.
B-Range

Usually remains in character or in the dance.
C-Range

Sometimes remains in character or in the dance.
D-Range

Rarely remains in character or in the dance.
Preparation

A-Range

Always prepared to dance.
B-Range

Usually prepared to dance.
C-Range

Sometimes repared to rehearse dance.
D-Range

Rarely prepared to dance.
Ensemble

A-Range

Always effectively works in group assigned, as a dedicated member of an ensemble, and is supportive and helpful as an audience member.
B-Range

Usually effectively works in group assigned, as a dedicated member of an ensemble, and is usually supportive and helpful as an audience member.
C-Range

Sometimes effectively works in group assigned, as a dedicated member of an ensemble, and is sometimes supportive and helpful as an audience member.
D-Range

Rarely works effectively in group assigned, as a dedicated member of an ensemble, or is unsupportive or not helpful as an audience member.
Studio Ettiquette

A-Range

Always follows guidelines of studio ettiquette, such as wearing proper dance shoes and clothing, clapping after performances, not playing with equipment, not running, etc.
B-Range

Usually follows guidelines of studio ettiquette, such as wearing proper dance shoes and clothing, clapping after performances, not playing with equipment, not running, etc.
C-Range

Sometimes follows guidelines of studio ettiquette, such as wearing proper dance shoes and clothing, clapping after performances, not playing with equipment, not running, etc.
D-Range

Rarely follows guidelines of studio ettiquette, such as wearing proper dance shoes and clothing, clapping after performances, not playing with equipment, not running, etc.





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